The City and the Stars

the city and the starsThe City and the Stars, Arthur C. Clarke

Arthur C. Clarke is the best writer of the “Big Three” sci-fi authors, speaking in terms of the craft of writing. Better than Asimov, far better than Heinlein. He and Bradbury are probably the best of the classics. Clarke’s interesting to read as well, though, because he foresees societies that really are different than our own, and, setting him apart from others, his future societies are often relatively free of conflict. His books are rarely violent, and barely any conflict. They slowly move forward with people more or less behaving decently, and even most of those who don’t still trying to do the right thing. They’re carried forward almost entirely by the writing and new ideas. One almost gets the sense he finds classic story elements of violence, distrust, and other conflict get in the way of the ideas he wants to pursue, with how quickly he rushes in in each book to explain, “Those silly problems of jealousy and anger weren’t a problem anymore! And no one would consider hurting someone. Now, on to the real meat of the story.”

That being said, if you read too many of his books in a short period of time they can start to get a bit tedious. The first time you read a book where nothing much happens and humans have become exceptionally advanced and everyone more or less gets along it’s rather refreshing, and it seems like such a brave choice from the author. After three or four you kind of want something to happen.

The City and the Stars is much farther in the future than most of Clarke’s books, an incomprehensible one billion years in the future. The main character, Alvin, lives in the self-contained city of Diaspar, where all decisions have been outsourced to artificial intelligence and humans study, produce art, wander the city, talk with one another, and whatever else they would like to do, with no concern for money or need until they decide they’d like to have their intelligence returned to the central computer and returned at a later date. Interesting to consider the way science fiction authors of the past considered automation–Clarke would have been all for a universal basic income and incredibly productive robots. I believe Asimov and many old “what does the future hold!” Disney cartoons thought that was the goal, as well.

The artificial intelligence for Diaspar controls everything, including the mix of personalities in the city, and every now and then they throw in a “unique” such as Alvin, someone who is a brand new personality mix rather than an old one retrieved from the archives. As a “unique” Alvin isn’t terrified of leaving the city of Diaspar, which all others are afraid to do. No one ever travels outside the city walls. He does, finding a new city, Lys, which limited their use of robots and instead perfected the human mind and telepathy. Two paths for humanity. There’s more that comes after explaining why most humans left earth, why some stayed behind and created the only two cities left on earth, Diaspar and Lys, and something about a galactic intelligence-another Clarke staple-but honestly the first half of the book was the most interesting.

I enjoy Clarke. I am heartened by the obvious hope he has for humanity, and it’s rather curious to read Utopian rather than dystopian science fiction these days. His writing, as I mentioned, really is excellent. I find myself hoping he’s right that we can make a good future for ourselves. It usually puts me in a better mood. Plus, this is also a fairly slim volume, so it was a quick read. For future reading, though, I just think every now and then I need some action.